The Witcher S2


For this project the studio was hired to do some compositing shots for several chapters, erasing wires, cleanups and set extensions; I helped do some of those composites and also to supervise internally the quality of some of the delivery shots.

I also helped the entire studio catch up with the use of the Shotgun Software and Netflix’s remote work environment, as I was the only one who knew how to use them before-hand.